Not that I've been particularly idle while down here in Phoenix, but I have had a lot of time to think while sorting and marking music, etc. and so I've been thinking about how I became who I am, about my family and more specifically, my siblings: our differences, similarities and how our mother's life choices have impacted and will continue to shape our lives.
The thing that my mind most often comes back to though is how boys have shaped my life and taught me most of what I know about people, which is kind of sad, but true at any rate. This post will be perhaps both mushy and "mean."
Let's see if I can't get these in order--this will be a feat! Oh, but some of these folks aren't part of an order.. they are just sort of omnipresent in terms of a given timeline in my life.
Faron Kraemer. I learned that strong emotions can just as easily be attached to cherished relics as to physical presences and that it is the meaning of a person that we will tend to care most about--the physical, elemental being is perhaps secondary. It was with this boy that I first tasted love and when I wrote my first poem, although I was already bitter from having lived in Ottumwa for too long as a gay boy, so I steered very far away from the cliche of the love poem and in having done so, the poems from that time were probably the most cliched I've written since. If I ever subjected you to them, forgive me, but I meant everything I said anyway.
Brian Griffith. Well, Brian is the first person I ever had any sort of sexual intercourse with (so far as I can recall) and I think that leaves a profound mark on a young person. But more than the sexual end of our brief relationship, I remember the first morning and the last morning we spent together vividly--that imagery has stuck with me and become a part of my personal asthetic. We stood outside of the twin's house in Chadron, Nebraska on a fairly chilly fall morning and we kissed in their driveway. Brian was about three or four inches taller than I was and all I can remember is the texture of his skin and hair, the taste of his mouth and that the fog around us came up to just above our knees and I thought, "how beautiful," and at the time I didn't finish my thought with "just like him." I knew later that sometimes textures and tastes won't ever be rendered in complete sentences and that powerful things like those feelings a teenage boy has towards another are at once too base and carnal and also too complex and full of depth and resolution for us to communicate verbally. I figured then that it was nice that I had started to write poetry because it was the only way I could ever tell anyone how much I really cared for them. I also learned how to con my mom into buying my boyfriend's gifts on my behalf. Later, the memory of my mother buying Brian oologne because I didn't have any money to do it would be something that compeled my first serious contemplation of what my future might be like with children--the image of being able to buy my own son something for his love interest because he wanted to better court them--how cute, even if it is terrible consumer-culture oriented. =)
Luke Gutzwiller. Short people do have a reason to live (thanks in no small part to Randy Newman [sp?]), but I also learned that young people really are young even if part of their allure was that they were older--older is never all that much older because people will always tend to make their mistakes and you will always tend to be a part of them. One can either be upset by that or learn to accept it and then see that when a person is willing to make mistakes in front of you and to talk about them with you, that that is something very beautiful and something to love.
Josh Hurley. We went to high school together in Ottumwa. I came out before he did. He was older. I was always in love with his body, but never with him as a whole boy because when I first met him, I felt like I wanted him to be my broher. When he came out, my grandmother heard about him being kicked out of his home and she, along with my grandfather took him in. He became one of their grandchildren for a time and the love he showed my grandparents taught me that the families we care about and the ones that care about us have nothing to do with blood ties or the length of time we've known someone. The desire to care for others and the bravery it takes to act on that is the start of family. When my grandmother died I thought that the absolute greatest tragedy that I have known so far in my life has not been any of the "interesting" predicaments I've ended up in, but rather that the boy my grandmother took wouldn't know that she had died (and he probably still does not know as I write this). We haven't heard from Josh since sometime in 2002. Josh also taught me helplessness as a result of that. I can usually use my resources to make an attempt at the results I'm looking for in an outcome, but becuse his family cares so little about him, I am unable to locate him or get any sort of a hook on where he might be and so I remain helpless for now in my attempts to tell him about the death of our grandmother.
The Boys of Iowa City. Oh man, were there a lot of them! These boys of Iowa City taught me that sex should not be inexplicably attached to love or even relationships. Sex is not making love and making love doesn't have to be about sex. Sex is intercourse--fun, vibrant and youthful. Fucking doesn't have to be something sacred that is to be saved only for relationships and it shouldn't be because then relationships become entangled with the confused adolescent lust and people stay in relationships for all sorts of stupid fucked up reasons.
Travis. I learned from Travis that sometimes the path you are lead into has such a strong pull that you can't ever get away from it. It isn't your fault, it isn't really anyone's fault, but what it is happens to be reality. Yes, you can always break from that reality, but then, what's left? It takes the strongest of people to rebuild every notion of reality from scratch so I don't blame people who will not make that leap.
Scott Spilger. No matter how much you love someone, sometimes it will just never be enough for them or for you; not to get the point across and not to realize the point yourself. Sometimes it is better to bail and to cut your loss.
The Boy in the Snow. I often tell people that I know a guy isn't for me if they order the Rosemary Porkchops at The Sanctuary in Iowa City--they no longer have it on their menu, but the story still stands. I used to be able to tell if I was going to be able to date a guy by taking them to Sanctuary (my favorite restuarant and pub). An uncanny number of them would get Rosemary Porkchops of all things and I later realized that those guys all turned out to be pricks--all except for one. Now, his name is being withheld to protect him from his current life, but surfice it to say that he is beautiful and many, many of you that read this knew him when you were younger. I learned, and still learn, from him that as I change and grow, that the history I carry with me, that includes my encounters with him, are like sediment and that he seems to want everything that comes with me, including those deposits. But, I've also learned that after a certain point, it takes a great deal of unlearning to seriously change our personalities and that I am happy with the one that I have. It is more the encounters and less him that helped me realize that, but his beautiful smile and great conversations don't hurt matters much.
Patrick Titus. I learned that intense physical beauty can fool even the most perceptive boys into ignoring great voids in personality and intellect. Beautiful face, hair, eyes, chest and cock can whisk away a young man's heart with his hormones and make the coming to reality a devestating tail-spin. That is something I should already have known about and showed me that no matter how cocky I get, there will always, ALWAYS be something I fault others for that I will stumble over myself if I haven't already done so. I'd say it taught me humility, but that comes later.
Patrick Herrera. Sometimes the boys don't mean to change, but they do anyway. I'm still learning from this one...
Ryan Hitchon. Owen Dockham. Derek Johnson. and even Alaska. The straight boys that changed my perception of straight boys. I love these guys a lot.
Marty Pfeiffer. My Mormon. Cara DeHart. Jerid Counterman. The boys and then men who are my mythical elements and one ladyfriend who will always be my boyfriend in waiting. These are the guys who shaped my notions of what it meant to be a young man and also the realities of being gay and also those who led me to question notions of what masculinity was during a time when I shunning it. These people supported me and rejuvenated me and gave me thoughts and hopes and a constant during their tenure. It is with these people that I feel the greatest connections--the need to give back to them and to be whatever it is that they need, when they need it from me.
The most important thing that my mythical elements have given me is a great sense of responsibility to them. And while I don't think I'm all the way there, I think that the hardest thing for us to learn as young adults and sometimes as older adults, is that responsibility isn't a great weight to carry or an extra task to take on, but a compliment and a tremendous gift.
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